Elektrokid is the working name of David Deneyer, Brussels-based producer, mixing & mastering engineer, and label co-founder. Two decades into a career split between releasing his own music and shaping other artists’ records — the studio is the meeting point of both worlds.
Background
Productions & co-productions
Co-productions credited on club records released across European labels, including Yeke Yeke with Mory Kanté, Yeah, The Teacher and Never Let The Party Stop (Mostiko, 2005). Discography spans 20+ years of releases, compilations and reissues — verifiable on Discogs and Beatport.
Remixes & collaborations
Remix and production work on tracks by Fedde Le Grand, Benny Benassi, Dave Lambert, Yves Deruyter, John Dahlback, Tristan Garner, Gregori Klosman, Wonderland Avenue, Minimalistix and DJ Liberty.
The studio today
The Brussels room is open to external projects: mixing, mastering, stem mastering and production support, Pro Tools and Ableton compatible. Sessions stay small on purpose — a handful of artists at a time, hands on every track, no assembly line.
Genres handled
House, tech house and broader electronic dance music are the home turf — that’s where the discography sits — but the same chain is regularly used on pop, EDM crossovers, hip-hop and R&B productions. If it’s modern and rhythm-driven, it’s welcome.
Approach
Twenty years behind the desk teach you one thing: tools change, ears don’t. The chain here is hybrid analog/digital because that’s what serves the song best — not because vintage gear sells better. AI tools have a place in the workflow when they save time on grunt work, but the decisions that make a record stand out — balance, tension, where the kick really sits — still come from a human listening on real monitors in a tuned room.